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英國 EAR Yoshino
192 DACute 解碼器

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HK$ 43,600.00

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192 DACute

With the EAR DAC Tim de Paravicini has applied his world renown knowledge and attention to detail in the analog world to the digital domain. The DAC boasts a digital to analog converter with low jitter clock and enhanced operation. The DAC is armed with a Cirrus SPDIF receiver, enabling the DAC to interface to your existing digital setup and accept up to 24/192 digital input from USB, coaxial SPDIF and Toslink SPDIF inputs. Immediately upon returning to the analog domain, the audio signal is passed to analog filters of Tim de Paravicini’s own design. The audio is output from a transformer-coupled ECC88 tube line output stage as in EAR pro audio equipment. This allows true floating balanced output as well as identical quality unbalanced line out by RCA connectors. The maximum output is 5 volt, which means it can drive directly any power amplifier of any type, with analog volume control that can be controlled by remote handset.

The results are accurate, clean smooth sound, yet detailed, open and dynamic, lacking the overly-crisp, a musicality of many highly-regarded digital to analog converters. Many audio designers claim to make digital players that sound “like vinyl.” Unlike most, Tim de Paravicini, with the DAC, has actually done it.

Specifications

DAC: 24 BIT Multilevel Delta Sigma Conversion.

Digital Inputs: 1) USB Interface

2) 2 x 75 Ohms Coaxial S/PDIF

3) Toslink Optical S/PDIF

Analogue Outputs: 1) Phono; 5V rms single ended

2) Balanced XLR; 5V rms XLR pin 2 positive

Valve Compliment: 2x ECC88 / 6DJ8

Output Impedance: < 60 Ohms (balanced or single ended)

Recommended Load: > 600 Ohms (balanced or single ended)

Harmonic Distortion: < 1%

Frequency Response: 20Hz – 20KHz

Dimensions: W 435mm, D 320mm (inc controls and connections) H 95mm

Description: Digital Audio Converter with in-built valve driven transformer line output stage

Brand

EAR YOSHINO

As early as 1965, Tim Paravicini was involved in designing amplifiers for rock bands, crafting his own amplification equipment and modifying studio gear to unlock greater potential. In 1972, he was invited to become an audio designer for Japan's Luxman. Tim swiftly produced several outstanding designs for Luxman, including the remarkable C1000/M6000 preamplifier/power amplifier combination. Later came the LUXMAN 3045. Tim also designed the actual output amplifier and power tube, the 8045. As ever with his designs, the output transformer was of Tim's own design. Since 1976, Tim has designed a wide variety of Hi-Fi and studio components for both Audio Research and other domestic audio companies. Presently, EAR's professional product range includes tube microphone preamplifiers, tube equalizers, and recording/mastering systems – all exemplary classic designs, sometimes incorporating bespoke components and serving some of the world's most renowned recording artists. Within the audio community, his analogue tube mastering recorders enjoy considerable renown. Over the past two decades, Tim has collaborated with numerous manufacturers. He designed the remarkable A-1 power amplifier for Musical Fidelity MF, alongside other products including the A470/370, P270, Digilog, and CD-T.
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